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Den is the name of two identical sword and planetfictionalcharacters created by Richard Corben. The first appeared in the 1968 animated short film Neverwhere. The second has been appearing in the medium of comics since 1973, and in short stories that have been collected for the most part in trade paperbacks. The second Den also appeared in the animated film Heavy Metal.

• 3Fictional character biography
• 9References

Background and creation[edit]

Corben created Den as the protagonist of a film short titled Neverwhere while working at Calvin Studios, an animation company in Kansas City.^[1] The film is animated, with framing sequences filmed in live-action. Corben played the title character himself and his boss at Calvin played the boss in the movie. He drew the whole animated sequence by hand in his spare time. His employers, impressed by his work, helped him to finish it by editing it and adding a new professional soundtrack with actors' voices. It was submitted to film festivals and won several awards, including the CINE Golden Eagle Award.^[2] The story continued in comic form from then on. Den made his comic debut in a short comic book story that appeared in Grim Wit No.2 in September 1973. Corben expanded this short story to two parts for publication in Métal Hurlant (1975–1976). He continued the story, turning it into a 12-part serial called 'Den', for the first twelve issues of Heavy Metal magazine (1977–1978). He added an epilogue, 'Den's Farewell', which was printed in issue No.13 (April 1978). The original story, without the epilogue, was published in the trade paperback Neverwhere (Ariel: Feb. 1978). All 13 chapters featured in the trade paperback Den: Neverwhere (Catalan: 1984).^[3]

Corben returned to Heavy Metal with a 13-part Den sequel, which ran in issues No.54 through No.72 (1981–1983). These stories were collected in the trade paperback Den 2: Muvovum (Catalan: 1984), which appeared around the same time as the complete first edition, Den: Neverwhere.

Corben began self-publishing Den through his company Fantagor Press in the 1980s, beginning with Children of Fire (1987) which was later revealed to be the prequel to the Heavy Metal-era Den adventures. Corben followed this with an ongoing Den series, which did not have the full frontal nudity that was the hallmark of the original Heavy Metal strips. Corben went back to the adult content with Den Saga, which filled in some of the details between Children of Fire and Neverwhere and Muvovum.

Publication history[edit]

The short film Neverwhere (1968) was followed by short stories in the following publications:

• Fantagor No.4 (1972) – 'For the Love of a Daemon'
• Grim Wit No.2 (1973) – 'Den'
• Heavy Metal No.1-13 (April 1977 thru April 1978) – collected in Den 1: Neverwhere
• Heavy Metal No.54-72 (1981–1983) – collected in Den 2: Muvovum
• Children of Fire No.1-3 (1987–1988) - collected in Den 3: Children of Fire,
• Den No.1-10 (1988–1989) – collected in 'Den 3: Children of Fire, Den 4: Dreams and Den 5: Elements
• DenSaga No.1-4 (1992–1994) (not collected in English)
• Penthouse Comix No.15-19 (1996–1997) – 'Denz' (not collected)

They have been collected in the following Den trade paperbacks:

• Neverwhere (1978, 1985, 1991)
• Muvovum (1984, 1991)
• Children of Fire (1992)
• Dreams (1992)
• Elements (1992)

Fictional character biography[edit]

'Den' is the name of two characters: the hero featured in the short film Neverwhere; and the identical hero featured in all the subsequent comics.

First version[edit]

The first Den story, as told in the short film Neverwhere, is clearly inspired by the Edgar Rice BurroughsJohn Carter of Mars novels. In the beginning of the film, an office worker is shown reading the 1963 reprint of A Princess of Mars, before he is turned down for a date by a coworker and quits his job. He then builds a machine that opens a portal where a 'deposed queen' beckons him to enter another world. Turning into a muscleman he fights several monsters, including four armed monsters reminiscent of Burroughs’ Green Martians. Den is then sent on a mission by the Queen to retrieve the Locnar and, after succeeding, returns home to his mundane life.

Second version[edit]

In its comic-book sequel, Den is a young man named David Ellis Norman. Following directions left for him on a note and a diagram from his missing uncle Dan, David builds another electronic apparatus. The apparatus opens a gateway to a fantasy world named 'Neverwhere', where he was transformed into a hairless, nude, muscular, and prodigiously endowed adventurer. Confused by his strange trip, he can only remember the acronym of his real name (DEN), and begins calling himself 'Den'. In his Earth incarnation, David had found a letter in one of the fantasy novels by Edgar Rice Burroughs left to him by his uncle Dan. Some images from the Neverwhere film are recreated in the first volume of Den as flashbacks.

Shortly after his arrival he meets an evil nude masked woman, known as the Red Queen (perhaps a reference to the character in Through the Looking-Glass) who seems to know Den and is about to sacrifice her doppelgänger Kath to Uhluhtc. After being rescued by Den, Kath reveals to him that, on Earth, she is a frail novelist called Katherine Wells (a reference to H. G. Wells, whose second wife was named Catherine). Kath is a native of London who, in 1892, was drawn to Neverwhere when she found another doorway after following the will o' the wisp while wandering through some marshes. Like Den, she was transformed when she arrived to Neverwhere, in her case into a voluptuous, large breasted nude woman who was immediately captured by the Red Queen (who had created the portal to bring her to Neverwhere). Kath has a much better recollection of her former life than Den, but no wish to return because she feels she is not only healthier but 'more of a woman' in the new land. Like Den, she is completely nude and hairless except for her blond bob hairstyle.

According to Jan Strnad's introduction to Denz, 'The saga of Den's exploits.. lusty and brawling, brimming with magic, intrigue, horror and betrayal.. spanned generations and filled many exotic volumes. Now in his declining years, Den lives in a NeverWhere far different from the one he entered. Thanks to his magical Locnar, Den has brought peace and prosperity to his adoptive world. Meanwhile, on Earth, Denzel Easton Norman seeks to follow in his brother's footsteps..'^[4]

Characters[edit]

The identification of the main characters of the series is complicated because they often change their name,^[5] drastically change morphologies,^[6] have identical doubles (also both Dens have the same name),^[7] and either forget, or do not acknowledge, previous encounters.^[8] Most problematically they also radically change personalities and relationships between the chapters in the story. An extreme case is Kil, who is consecutively portrayed as a noble sexless warrior, a maternal caretaker of an embryo, a lustful lover, a deposed queen with magical powers, an evil witch who engages in human sacrifice, a ruthless tyrant who burns down a city, a fraudulent heroic adventurer, etc. According to Corben, this is due to Kil's psychoticschizophrenia.^[9]Brother mfc-7860dw scanner driver windows 10.

The protagonists are basically two identical men — Den (the first) and Den (the second) — and two identical women — Kil and Kath. They are all known by several other aliases:

• Den (first) a.k.a. Mal, Uncle Dan, Daniel Norman. First appeared in Neverwhere the Movie.
• Den (second) a.k.a. David Ellis Norman, Dav. First appeared in Grim Wit No.2.
• Kil a.k.a. the Queen, the Red Queen. First appeared (as the Queen) in Neverwhere the Movie.
• Kath a.k.a. Katherine Wells. First appeared in Heavy Metal No.4.

The main secondary recurring characters are:

• Zeg, an evil wizard/warlord. Father of Scon. First appeared in Heavy Metal No.13.
• Zomuk, Zeg's demon slave. First appeared in Fantagor No.4.
• Pucca, Zeg's slave cook. Mate of Mal. First appeared in Children of Fire No.2.
• Gel, the simian humanoid leader of a revolt against the Red Queen. First appeared in Neverwhere the Movie.
• Scon, son of Zeg, also a wizard/warlord. First appeared in Heavy Metal No.55.
• Sienna, an Indian girl with mental powers. She has a giant lizard named Pthalo. First appeared in Grim Wit No.2.
• Zandor and Wyn, blue humanoid father and daughter. First appeared in Heavy Metal No.65.
• Queen Ryllia, the human/fish hybrid queen of Ichthya, an underwater city. First appeared in Den No.5.

Chronology of the stories[edit]

Den's adventures follow a complex and sometimes contradictory course of events. Some of the chapters of the story have been told in extended flashbacks, dreams, and visions. This is the order of the stories so far. There are three large gaps between the stories with adventures that have yet to be told.

• Possible prequel: 'For the Love of a Daemon' (Fantagor No.4, 1972). A sorcerer named Vermian and his demon slave Zomuk live in a castle and kidnap a voluptuous girl named Merya to sacrifice to the dark god Uhluhtc. At the end, Vermian is killed by Zomuk.^[10]
• Den 3: Children of Fire (1989).^[6] The planet Zomere is inhabited by an eusocial species similar to humans but oviparous. A breeding queen rules them. Females are non-sexual muscular warriors called Kils^[11] or workers called Works, and males are called Mals. After an attack by giant spiders the dying queen sends a Kil, a pre-queen simply named 'Kil', to found a new colony in Dremurth (Neverwhere) bringing with her Mals, Works, and eggs to seek the 'Magic Scepter' (the Locnar). The ship crashes and only Kil and a skeletal Mal (named 'Mal', who will become the first Den) survive. Their only remaining egg produces a human baby, the second Den. Once they land they meet Zeg, a Vermian lookalike, Zomuk and his slave cook Pucca who live in Vermian's castle from the prequel. At the end of the story, Zeg kidnaps a pregnant Pucca and the second Den, and Mal kills Zomuk.
• DenSaga No.2-4 (1992–1993).^[12] Three or four years later, the second Den is now an infant called David, and the first Den has fully transformed into a hyper-muscular body and now calls himself Daniel, Dan, or Uncle Dan. The second Den lives in a floating island called Heaven, ruled by Zeg, with Pucca, who is raising him. Pucca is also raising a daughter she had with the first Den, named Elinorma. Kil returns also, fully transformed into a leaner body with a very large bosom. According to Corben, the radiation from her spaceship transformed Kil into a hybrid of breeding queen and warrior.^[13] By the end of the story, the first Den (Mal) leaves with Kil in pursuit of Zeg, who has kidnapped the second Den, and Pucca flees with Elinorma.
• First untold interlude: According to Children of Fire, 'The radiation triggered a genetic change in Kil. She became a powerful ruler in this planet of violence (The Red Queen). Mal and Pucca became mates and eluded Kil for a time. Their offspring (Elinorma) challenged Kil's rule between bouts of (Kil's) madness.'^[14]
• Neverwhere the Movie (1968).^[1] The first Den is now a thin, bespectacled man living on Earth. He builds a machine that opens a portal to Neverwhere. There he meets the Queen (they do not seem to know each other from when they were Kil and Mal). The Queen tells him that she is deposed and sends him on a mission to retrieve the Locnar, a magical scepter, from Gel, a humanoid monster, who declares that Den is the latest of several champions sent by the Queen. After he succeeds, the Queen returns Den to Earth in his thin form.
• Second untold interlude: Both Dens now live on Earth where they are similar looking thin men, older and younger, and they are believed to be uncle and nephew.^[15] The first Den disappears (to Neverwhere) and this time he does not return. In the note he leaves behind, he says that his Earth body is dying on Earth of a terminal disease, and that escaping to Neverwhere permanently was his only chance for survival. Once there, 'He fought Gel.. saved the Queen (Neverwhere the Movie).. made love to her.. and was killed.. by treachery.'^[16] According to Denz, he 'ultimately died by the hand of the woman he loved (it is hinted it was Kil).'^[4] Seven years pass until the beginning of Den 1.
• Den 1: Neverwhere (1978).^[17] The second Den appears in Neverwhere without any previous memories of his childhood there. He believes his uncle, the first Den, left him directions on how to recreate the machine that opens the portal to this world. There he meets the Red Queen, whom he has sex with after being captured by her; Kath (brought to Neverwhere to be sacrificed to Uhluhtc, like Merya in the prequel), whom he rescues and with whom he falls in love, having a brief idyll with her; and Gel, whom he eventually kills. He also receives a visit from the first Den, who materializes and then disappears. At the end of the story, the second Den saves Zeg (called Zek in the comic) from certain death at the hands of the Red Queen, although Den is himself captured. The Red Queen orallyrapes Den, but he is ultimately rescued by Kath. During his rescue, Den fatefully chooses to save the Red Queen from falling to her death. Four years will pass until the return of the Red Queen in Den 2.

• Den 2: Muvovum (1983).^[18] The second Den and Kath are now living in another floating island, Zegium, ruled by Zeg. Kath and the second Den return to Earth. The Red Queen appears and kills Zeg. The second Den then comes back to Neverwhere. He eventually is rejoined with a woman whom he believes to be Kath.
• Den 4: Dreams (1992).^[19] Four or five years later,^[20] the woman whom Den believes to be Kath has left him and, depressed, he has become obese and feeble. By the end of the story, he begins to transform back into his former, muscular self.
• Den 5: Elements (1992).^[21] Back in top, strapping shape, the second Den is reunited with a woman whom he believes to be Kath, who actually talks like she is Kil.^[22] Eventually, she is revealed to indeed be Kil, the Red Queen. She has brought Kath back to Neverwhere and when asked to choose between them, Den chooses the Red Queen. After a great explosion at the end of the story, Den is alone and unconscious and is rescued by his friends Zandor and Wyn.
• 'The Price of Memories' (DenSaga No.1, 1992),^[23] 'Bog's Deal' (Heavy Metal No.141, 1992), 'Mola the Mole' (Heavy Metal No.145, 1993), 'The Light at the End of the Tunnel' (Heavy Metal No.149, 1994). Amnesiac, the second Den runs into Sienna, whom he met before in the opening of Grim Wit No.4. She takes care of him and helps him begin to remember his history, from the moment of birth from the egg brought to Neverwhere by Kil and Mal. Eventually, Sienna claims she has no more tales to tell him, and they part ways.
• Third untold interlude: The second Den becomes the king of Neverwhere. By the beginning of Denz, 'Thanks to his magical Locnar, Den has brought peace and prosperity to his adoptive world.'^[4]
• Denz (Penthouse Comix No.15-20, 1996–1997).^[4] Years later, the second Den is now the ruler of Neverwhere and is visited by his brother Denzel Easton Norman, incarnated into the third 'almost' Den, who is called 'Denz'. This last part varies in tone from the rest of the story; it is a comedy and the characters are drawn more like caricatures than in any of the previous chapters. Den's and Sienna's faces are now grotesquely old.

Influences[edit]

The stories of Den are shaped by several well-known works of fiction. Sometimes the references are featured in the story itself.

• A Princess of Mars by Edgar Rice Burroughs. The story of the short film Neverwhere, as well as the whole concept behind Den, is based on this novel and its sequels. The 1963 edition of A Princess of Mars is featured in the short and the novels are mentioned in the first comics story.^[15] Den gets a new body that is perfect and, like the characters in the Barsoom novels everyone, including himself, remains nude for the entire adventure. This aspect of the story was retained in the subsequent comic versions, unlike the Burroughs’ comics adaptations. Furthermore, with the relaxed social mores for depicting sexuality arising at the time of the series' inception, the erotic possibilities of Neverwhere are eagerly indulged by the characters. Kil and both Dens come from a planet whose inhabitants resemble Homo sapiens in most respects, except for being oviparous, like all Barsoomian races.
• The Wizard of Oz. As pointed out by Philip José Farmer^[17] Den, like Dorothy Gale, travels to a strange world and is sent on a mission,^[24] eventually returning to his former existence. Like Dorothy, Den is from Kansas.^[25]
• The stories of Robert E. Howard. Before completing the first Den collection, Corben adapted a short story by Howard, 'Bloodstar', where the muscular hero fought a demonic amorphous creature, similar to Uhluhtc.
• The tales of H. P. Lovecraft. Particularly in the first volume of Den, the presence of Uhluhtc (Cthulhu spelled backwards) is a constant theme in the story. Uhluhtc is also mentioned in 'For the Love of a Daemon' and Children of Fire.
• The Lord of the Rings by J.R.R. Tolkien. As pointed out by SidSid Keränen, the Nar stones and the scepter made from them, the Locnar, are similar to the One Ring and its corrupting power.^[26]

Critical response[edit]

Most critics have commented on the rather uneven and cliched plot of the story and its visual power. Scholar Maurice Horn remarked that Den 1 'sounds like a lot of hokum .. but it is saved by Corben's astonishing graphic mastery and the sweep of his composition.'^[27] Román Gubern considers that, 'Den's brilliant experimentalism appeared tinted by a Neo-expressionist influence.'^[28] Tim Pilcher calls Den 'Conan on Viagra'.^[29] Historian Paul Gravett thinks that 'Corben's plotting may be erratic and prone to charges of sexism and cliché, but his total conviction and self-absorption in imagining this sensual dreamscape captivate and transport us there.'^[30]

After analyzing all of Corben's major works, Alberto García Marcos wrote, 'Den's stories seem to wander aimlessly, with a minimal plot that weaves scenes of heroism, sex and action while giving unlimited power to the imagination of the author in the design of scenes and characters and the graphic experimentation. And graphically they do have great impact, but taken as a whole .. they are more or less .. mental masturbation.'^[31] Author Samuel R. Delany agrees with the importance of the visuals in Den and its basic lack of plot.^[32]

D. Aviva Rothschild wrote about the first volume, 'Although coherent and interesting, the story takes second place to Corben's lush, magnificent, fully painted, animation-quality art.' Rothschild believes that the only problem with the book is 'the ludicrously large breasts of the two women..' but considers that Neverwhere 'belongs in all adult collections..'^[33] Artist Bob Fingerman writes that, 'Neverwhere is a timeless adult fantasy epic.'^[34] According to the Lambiek online comiclopedia, 'With 'Den', Corben had found his ideal fantasy world. Corben returned again and again to it, and an end of 'Den' is not to be foreseen.'^[35]

Film adaptation[edit]

The film Heavy Metal features a segment titled 'Den' that adapts the first Den collection, Den 1: Neverwhere (not to be confused with the animated short of the same title). The film eliminates the Uncle Dan part of the story and incorporates a green meteorite as a portal to Neverwhere. Small details are changed (Kath is now from Gibraltar) and some characters and subplots are eliminated, but the segment follows the plot of the comic story fairly closely. The biggest difference is the tone: the animated segment is told in a self-referential, humorous style, different from the straight forward adventure tone of the comic. In fact, the segment is similar in tone to 'Denz', which makes fun of many of the absurdities of the Neverwhere premise.

Den is voiced by comedic actor John Candy and, to highlight the humorous tone, the script has Den speaking both to characters and in contrasting voice overs — one in which he is dead serious and strong willed to match his epic existence on Neverwhere, the other sounding adolescent, reflecting his life on Earth. The rest of the voice cast consists of Jackie Burroughs as Katherine Wells, Martin Lavut as Ard, Marilyn Lightstone as the Queen, and August Schellenberg as Norl.

This adaptation has been compared in its idea to The Wizard of Oz by critic Chris Hicks, who says the story is, 'about two children changed into fantasy adults with a 'bring-me-the-broomstick-of-the-wicked-witch'-style mission, etc.'^[24] Jack Stokes, the veteran animator of the film Yellow Submarine, was put in charge of the production.

A studio was set up in London because, according to Stokes 'many animators are not good artists'^[36] meaning they are not skilled in drawing the human figure realistically, and art students were recruited to pitch in on the production. This accounts for the lack of consistency in the characters' likenesses. Corben painted the poster for the movie and was asked to contribute to the production. He drew three character sheet turnarounds for Den and Kath, but these were not usable due to 'inconsistencies in the construction'.^[36] Still, the animators tried to recreate the look of the comic by developing several techniques to reproduce the unusual colors of Corben's art.

The segment was well received, even by critics who did not think much of the film.^[37] Critic Janet Maslin gave the film a positive review in The New York Times. She said, 'The other highly memorable story is about a bookworm from earth who winds up on another planet, where his spindly body is transformed into that of an extraterrestrial Hercules.' She also complimented John Candy's vocal performance as Den.^[38] Corben wrote about the film, 'I was pleased with the Den segment of the Heavy Metal Movie. The drawings and movement seemed stiff, rough and unpolished, but the thrust and characters were right. I thought that John Candy did a great job with Den's voice.'^[39]

References[edit]

1. ^ ^ab'Neverwhere (the Movie)'. Muuta.net. Archived from the original on 2009-06-21. Retrieved 2009-05-06.
2. ^Neverwhere (Short). 1968. Retrieved 2007-07-06.
3. ^'Comicography of Richard Corben'. Muuta.net. Retrieved 2007-07-06.
4. ^ ^abcdStrnad, Jan (w). 'Denz' Penthouse Comix v2, 15: 4–13 (September 1996)
5. ^Corben, Den 1, p. 16. Note: 'My name is DEN' is spoken by the character that was until then David Ellis Norman.
6. ^ ^abCorben, Richard (1991). Den 3: Children of Fire. Fantagor Press. p. 11. ISBN0-9623841-5-1. Note: Kil goes from being a hyper-masculine being to a hyper-feminine being; Mal goes from being an unnaturally thin being to an incredibly muscular being.
7. ^Corben, Den 1, p. 84.
8. ^Corben, Den 1, p. 114. Note: Den calls Zeg 'fellow', not recognizing him from his childhood as seen in DenSaga.
9. ^Corben, Richard (w). 'Letters page' Den 8: Inside back cover. (1989)
10. ^Corben, Richard (1977). The Odd Comic World of Richard Corben. Warren Publishing Co. p. 47. ISBN978-84-85138-21-0.
11. ^Corben, Den 3, p. 14. 'A warrior and like the warriors of the ants, bees and termites a nonsexual female.'
12. ^Corben, Richard (w). DenSaga 2–4 (1993), Fantagor Press
13. ^Corben, Richard (w). 'Letters page' Den 9: Inside back cover. (1989)
14. ^Corben, Den 3, p. 48.
15. ^ ^abCorben, Richard (1984). Den 1: Neverwhere. Catalan Communications. p. 27.
16. ^Corben, Richard (1991). Den 1: Neverwhere. Fantagor Press. pp. 64–65. ISBN0-9623841-3-5.
17. ^ ^abCorben, Den 1.
18. ^Corben, Richard (1984). Den 2: Muvovum. Catalan Communications.
19. ^Corben, Richard; Simon Revelstroke (1992). Den 4: Dreams. Fantagor Press. ISBN0-9623841-6-X.
20. ^Corben, Richard (w). 'Letters page' Den 6: Inside front cover. (1989)
21. ^Corben, Richard; Simon Revelstroke (1992). Den 5: Elements. Fantagor Press. ISBN0-9623841-7-8.
22. ^Corben, Den 5, p. 42. Kil: 'When I first grew this motherly flesh, I felt shy, then I became proud of my new physique. Now I fear my transition from warrior to potential mother stopped somewhere between the two.'
23. ^Corben, Richard (w). 'The Price of Memories' DenSaga 1 (1992), Fantagor Press
24. ^ ^ab[1]Archived December 30, 2008, at the Wayback Machine
25. ^Corben, Den 1, p. 76. 'This very world is totally alien to a boy from Kansas.'
26. ^'Den's Legacy'. Muuta.net.
27. ^Horn, Maurice (1985). Sex in the Comics. Chelsea House Publishers. p. 125. ISBN0-87754-850-1.
28. ^Gubern, Román (1997). Medios icónicos de masas. Historia 16. p. XII. ISBN84-7679-335-9.
29. ^Pilcher, Tim (2009). Erotic Comics 2. Harry H. Abrams, Inc. p. 26. ISBN978-0-8109-7277-3.
30. ^[2]Archived February 18, 2009, at the Wayback Machine
31. ^'La Otra América: Richard Corben'. ZonaNegativa.com. June 18, 2008.
32. ^Delany, Samuel R. (1994). Silent Interviews: On Language, Race, Sex, Science Fiction, and Some Comics—A Collection of Written Interviews. Wesleyan. p. 88. ISBN0-8195-6280-7. You really do not have to pay attention to the words in Den. The pictures more or less do the whole thing. After I'd looked through it eight or so times, I provably had read all the words in it. A couple of times over. But I still couldn't tell you the plot.
33. ^Rothschild, D. Aviva (1995). Graphic Novels: A Bibliographic Guide to Book-Length Comics. Libraries Unlimited. p. 54. ISBN1-56308-086-9.
34. ^'Bob Fingerman's reviews: Neverwhere'. GoodReads.com. August 24, 2008.
35. ^'Richard Corben'. Lambiek.net.
36. ^ ^abMacek, Carl (1981). Heavy Metal the Movie. Kitchen Sink Press. ISBN978-0-87816-524-7.
37. ^'Heavy Metal (1981)'. Sci Fi Movie Page.
38. ^Maslin, Janet (August 7, 1981). ''Heavy Metal', Adult Cartoon'. The New York Times.^{[dead link]}
39. ^Corben, Richard (w). 'Letters page' Den 5: Inside front cover. (1989)

Further reading[edit]

• Balfour, Brad (June 1981). 'The Richard Corben Interview, Part 1'. Heavy Metal (51): 6–11.
• Balfour, Brad (July 1981). 'The Richard Corben Interview, Part 2'. Heavy Metal (52): 8–14.
• Bharucha, Feshid (1981). Richard Corben: Flights Into Fantasy. Thumb Tack Books. ISBN84-499-1949-5.
• Bissette, Stephen R.; Stanley Wiater (1993). Comic Book Rebels: Conversations with the Creators of New Comics. Donald I. Fine, Inc. ISBN1-55611-354-4.
• Garriock, P. R. (1978). Masters of Comic Book Art. Aurum Press, Ltd. ISBN0-905664-05-1.
• Oliver, Agustín (2004). Richard Corben (Un rebelde tranquilo). Sinsentido. ISBN84-95634-51-1.
• Richardson, John Adkins (1977). The Complete Book of Cartooning. Prentice-Hall, Inc. ISBN0-13-157594-5.
• Van Hise, James (1989). How to Draw Art for Comic Books: Lessons from the Masters. Pioneer Books, Inc. ISBN1-55698-254-2.

External links[edit]

• Neverwhere (the Movie) (1968) at Corbenstudios.com

Heavy Metal is an American science fiction and fantasy comics magazine, known primarily for its blend of dark fantasy/science fiction and erotica and steampunk comics. In the mid-1970s, while publisher Leonard Mogel was in Paris to jump-start the French edition of National Lampoon, he discovered the French science-fantasy magazine Métal Hurlant which had debuted January 1975. The French title translates literally as 'Howling Metal'.

When Mogel licensed the American version, he chose to rename it, and Heavy Metal began in the U.S. in April 1977 as a glossy, full-color monthly. Initially, it displayed translations of graphic stories originally published in Métal Hurlant, including work by Enki Bilal, Philippe Caza, Guido Crepax, Philippe Druillet, Jean-Claude Forest, Jean Giraud (a.k.a. Moebius), Chantal Montellier, and Milo Manara. The magazine later ran Stefano Tamburini and Tanino Liberatore's ultra-violent RanXerox. Since the color pages had already been shot in France, the budget to reproduce them in the U.S. version was greatly reduced.

• 4In other media

Publication history[edit]

Mogel published Heavy Metal under the name HM Communications, Inc. After starting as a monthly, beginning with the winter of 1986, Heavy Metal dropped back to a quarterly schedule, continuing until March 1989, where it then switched over to a bi-monthly publication period. HM Communications published 136 issues in 16 volumes from April 1977 – March 1992.

Meanwhile, the original Métal Hurlant Free thriller video download. had ceased publication in France in 1987. It resumed in July 2002, published by Les Humanoïdes Associés.

Kevin Eastman, co-creator of the Teenage Mutant Ninja Turtles, had grown up reading Heavy Metal, seeing in its pages European art which had not been previously seen in the United States, as well as an underground comix sensibility that nonetheless 'wasn't as harsh or extreme as some of the underground comix – but . . . definitely intended for an older readership.'^[1] Eastman took over publication of Heavy Metal with volume 16 in May 1992, under the name Metal Mammoth, Inc.

Eastman sold the magazine to digital and music veteran David Boxenbaum and film producer Jeff Krelitz in January 2014. Eastman continued to serve as publisher of the magazine and is a minority investor in the new Heavy Metal.^[2]

Artists[edit]

Heavy Metal's high-quality artwork is notable. Work by international fine artists such as H. R. Giger and Esteban Maroto have been featured on the covers of various issues. Terrance Lindall's illustrated version of Milton's epic poemParadise Lost appeared in the magazine in 1980.^[3] Many stories were presented as long-running serials, such as those by Richard Corben, Pepe Moreno and Matt Howarth. Illustrators like Luis Royo and Alex Ebel contributed artwork over the course of their careers. An adaptation of the film Alien named Alien: The Illustrated Story, written by Archie Goodwin and drawn by Walter Simonson, was published in the magazine in 1979.

Editors[edit]

Heavy Metal Magazine Download

The founding editors of the American edition of Heavy Metal were Sean Kelly and Valerie Marchant. The founding Design Director was Peter Kleinman. Kleinman was the Design Director of National Lampoon at the time, and he was asked to provide direction for the fledgling project in addition to his Lampoon duties. He created the original Heavy Metal logo design at the request of Len Mogel and Matty Simmons and was responsible for the launch and art direction from the first issue. The Heavy Metal Logo was Kleinman's homage to Kabel Black, one of his favorite typefaces. He was experimenting with a visual pun—pushing down the characters in the word 'Heavy' to emphasize the visual parody of the letters' 'weighty quality'—and in the middle of his design efforts, Simmons saw it, scooped it off of Kleinman's drafting table, and presented it to Mogel and the rest of the board. It was an instant hit and has been used as the basic logo ever since. Peter Kleinman continued to oversee the publication design and work on cover designs for the first two years, and hired Art Director and Designer John Workman, who brought to the magazine a background of experience at DC Comics and other publishers.

After two years, Mogel felt the lack of text material was a drawback, and in 1979, he replaced Kelly and Marchant with Ted White, highly regarded in the science fiction field for revitalizing Amazing Stories and Fantastic between 1968 and 1978. White and Workman immediately set about revamping the look of Heavy Metal, incorporating more stories and strips by American artists, including Arthur Suydam, Dan Steffan, Howard Cruse and Bernie Wrightson.

White's main solution to the problem of adding substantive text material was a line-up of columns by four authorities in various aspects of popular culture: Lou Stathis wrote about rock music and Jay Kinney dug into underground comics, while Steve Brown reviewed new science fiction novels and Bhob Stewart explored visual media from fantasy films to animation and light shows.

In 1980, Julie Simmons-Lynch took over as editor, and her new slant on text material was the showcasing of science fiction by well-known authors such as Robert Silverberg, John Shirley and Harlan Ellison. Later, a review section labeled Dossier, was created by associate editor Brad Balfour, who came on board to handle text features by authors such as William S. Burroughs and Stephen King. Dossier featured short pieces by a variety of writers, and was edited first by Balfour and then by Stathis, who soon replaced Balfour as an editor. Stathis continued the tradition of focusing on pop culture figures to connect the magazine to the larger hip culture context. There were also interviews with such media figures as Roger Corman, Federico Fellini, John Sayles and John Waters. In the Winter of 1986 original Design Director Peter Kleinman was brought back on staff and Simmons-Lynch remained the editor until 1993. Kevin Eastman had acquired the magazine the year before and became both publisher and editor after that date.

Comics writer Grant Morrison became editor in chief beginning with the April 2016 issue of the magazine.^[4]

In other media[edit]

Films[edit]

In 1981, an animated feature film was adapted from several of the magazine's serials. Made on a budget of U.S. $9.3 million and under production for three years, Heavy Metal featured animated segments from several different animation houses with each doing a single story segment. Another house animated the frame story which tied all the disparate stories together. Like the magazine, the movie featured a great deal of nudity and graphic violence, though not to the degree seen in the magazine; for example, its Den segment did not display the blatant male genitalia of its print counterpart. The film featured such SCTV talents as John Candy, Eugene Levy, Harold Ramis and Ivan Reitman. It did reasonably well in its theatrical release and soon gained a cult status, partially because of a problem with music copyrights that resulted in a delay of several years before the film became officially available on home video. The home video release featured different music in the opening segment (the cause of the initial home video release delay) and included a segment that was not included in the theatrical release.

Another animated feature film called Heavy Metal 2000, with a budget of $15 million, was released in 2000. This direct-to-video release was not based on stories from the magazine but was instead based on The Melting Pot, a graphic novel written by Kevin Eastman and drawn by artist Simon Bisley, who based the appearance of the female protagonist after nude model and B-movie actress Julie Strain, then-wife of Kevin Eastman. Strain later lent her vocal talents to the movie, portraying the character modeled after her likeness.

During 2008^[5][6] and into 2009,^[7] reports circulated that David Fincher and James Cameron would executive produce and, each, direct two of the eight to nine segments of a new animated Heavy Metal feature. Kevin Eastman would also direct a segment, as well as animator Tim Miller, Zack Snyder, Gore Verbinski and Guillermo del Toro. Paramount Pictures decided to stop funding the film by August 2009^[8] and no distributor or production company has shown interest in the second sequel, since.^[9] In 2011, filmmaker Robert Rodriguez announced at Comic-Con that he had purchased the film rights to Heavy Metal and planned to develop a new animated film at the new Quick Draw Studios.^[10]

An animated 3D film entitled War of the Worlds: Goliath, created as a sequel to H.G. Wells' The War of the Worlds and based on a story previously published in the magazine, was produced by The Tripod Group and released in Malaysia in 2012.^[11][12]

The series 'Interceptor' is being adapted into a film.^[13]

On March 15, 2019, the Fincher project was released on Netflix as a reimagining titled Love, Death & Robots. ^[14]

Video games[edit]

Heavy Metal 2000 inspired a video game sequel released in 2000, the PC action-adventure Heavy Metal: F.A.K.K.². It was developed by Ritual Entertainment.

In 2001, Capcom released Heavy Metal: Geomatrix, an arcade fighting game that later made its way to Sega's Dreamcast console. Though not based on any specific material from Heavy Metal, it featured character designs by frequent contributor Simon Bisley and a style generally inspired by the magazine.

In 2017, upstart pinball company PinHeadz LLC hinted that they had secured the right to use the Heavy Metal license in a physical pinball table; the table itself will be designed through a collaboration between PinHeadz, the pinball artist Zombie Yeti (known for his work on tables such as Stern's Ghostbusters) and legendary pinball designer Pat Lawlor, who has designed games such as Twilight Zone and The Addams Family.

See also[edit]

Heavy Metal Magazine Digital Collection

References[edit]

1. ^Wiater, Stanley & Bissette, Stephen R. (ed.s) Comic Book Rebels: Conversations with the Creators of the New Comics (Donald I. Fine, Inc. 1993) ISBN1-55611-355-2
2. ^Graser, Marc. 'From Print to Producer: Heavy Metal Magazine Finds Buyers and New Future in Hollywood (EXCLUSIVE),'Variety (January 17, 2004).
3. ^Williamsburg Art & Historical Center with Lindall's illustrations for Paradise Lost
4. ^Jensen, Jeff (July 6, 2015). 'Heavy Metal is getting a punk rock facelift under new editor Grant Morrison'. Entertainment Weekly. Retrieved April 21, 2016.
5. ^Michael Fleming (March 13, 2008). 'Par, Fincher put pedal to 'Metal' Eastman, Miller to direct animated segments'. Variety. Retrieved September 21, 2008.
6. ^Alex Billington (September 4, 2008). 'Zack Snyder, Gore Verbinski, Guillermo del Toro Directing Heavy Metal Segments?'. firstshowing.net. Retrieved September 21, 2008.
7. ^Fleming, Mike. 'Fincher Brings Mettle To Passion Project'. Deadline.
8. ^'Heavy Metal comic to become a film' from ABC.net
9. ^MTV News (August 25, 2010). 'David Fincher Can't Get Funding for 'Heavy Metal''. worstpreviews.com. Retrieved May 7, 2011.
10. ^Film School Rejects (July 21, 2011). 'SDCC: Robert Rodriguez Takes Heavy Metal'. comingsoon.net. Retrieved November 26, 2011.
11. ^Heavy Metal Magazine Fan Page (November 7, 2010). 'War of the Worlds: Goliath'. heavymetalmagazinefanpage.com. Retrieved November 26, 2011.
12. ^Heavy Metal Magazine (November 7, 2010). 'War of the Worlds: Goliath, an Animated Steampunk Epic'. Heavy Metal. Archived from the original on November 27, 2011. Retrieved November 26, 2011.
13. ^'Heavy Metal Developing Sci-Fi Vampire Comic 'Interceptor' For The Screen (Exclusive)'. hollywoodreporter.com.
14. ^Schwartz, Terri (March 16, 2019). 'HOW DAVID FINCHER AND TIM MILLER'S HEAVY METAL REBOOT BECAME NETFLIX'S LOVE, DEATH & ROBOTS'. IGN. Retrieved March 17, 2019.

External links[edit]

• 'Humanoids Publishing'. Archived from the original on February 2, 2004.

Heavy Metal Magazine Online